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Contemporary Artist · Los Angeles
About the Artist
b. Philippines · Based in Los Angeles, CA
Clarisse Abelarde is a Filipino-American contemporary artist whose work dissects the fragmentation of identity in the modern age. Born in the Philippines and transplanted to California, her practice is rooted in the dissonance of displacement—the feeling of being a ghost in two worlds.
Her large-scale oil paintings are visceral explorations of the self, channeling the unflinching flesh of Lucian Freud, the provocative psychological charge of Lisa Yuskavage, and the raw nervous energy of Egon Schiele. Yet, her voice is distinctly her own—a synthesis of classical technique and contemporary anxiety.
Abelarde does not paint to please; she paints to excavate. Her figures are often distorted, caught in moments of transformation or decay, reflecting the internal battles that define the human condition.
"I exist to give the void a body. To arrest the fleeting, violent beauty of the self before it dissolves."— Clarisse Abelarde
The brutal honesty of flesh. Freud taught that the body is a landscape of truth—every fold, every sag, every imperfection is a confession.
The unapologetic feminine. Yuskavage’s psychologically charged figures gave permission to explore the uncomfortable territories of female identity without apology.
The nervous line. Schiele’s contorted figures and raw emotional exposure remain a touchstone—proof that beauty can emerge from discomfort.
Where chaos becomes composition
The studio is both sanctuary and battlefield. Large canvases lean against walls, some abandoned mid-stroke, others waiting for their first mark. The smell of linseed oil and turpentine permeates everything. Here, in the controlled chaos, the work emerges—not planned, but excavated.
From impulse to artifact
Each piece begins with an emotional excavation—a feeling, a memory, a fragment of identity that demands expression. I don’t sketch; I confront the canvas directly.
Oil paint is applied in aggressive layers, building texture and depth. The figure emerges through addition and subtraction, revealing itself through the process of destruction and reconstruction.
The work is complete when it holds tension—when it refuses to be comfortable. The final piece should feel like a mirror that shows you something you didn’t want to see.
Milestones along the way
First major solo exhibition featuring 20 new works exploring displacement and identity
Los Angeles, CA
"A voice that refuses to be silenced" - critical recognition of figurative work
Three major works acquired for permanent collection
New York, NY
International group exhibition exploring migration and embodiment
Berlin, Germany
Recipient of the California Arts Council emerging artist fellowship
Permanent studio space established in Los Angeles arts district
Los Angeles, CA
"Ghost in Two Worlds" - thesis work on Filipino-American identity
Inaugural sale to private collector - the beginning of the journey
In the media
The work finds its way to those who need it most.
"Her work doesn't let you look away. It demands you see yourself in it, even the parts you'd rather not acknowledge."
"The first time I saw 'Vessels of Becoming,' I stood there for twenty minutes. I couldn't leave. Now it lives in my home."
"Clarisse captures something about the immigrant experience that I've never seen articulated in paint before. It's visceral."
"Watching her career unfold has been extraordinary. We acquired early and haven't regretted it for a moment."
"A voice that refuses to be silenced—Abelarde's figurative work confronts identity with unflinching honesty."
"Among the most compelling emerging voices in contemporary figurative painting."
"Her canvases pulse with the tension of existing between worlds."