© 2026 C.ABELARDE · ® · INTL ©

Clarisse Abelarde

Clarisse Abelarde

Contemporary Artist · Los Angeles

About the Artist

Clarisse Abelarde

b. Philippines · Based in Los Angeles, CA

Clarisse Abelarde is a Filipino-American contemporary artist whose work dissects the fragmentation of identity in the modern age. Born in the Philippines and transplanted to California, her practice is rooted in the dissonance of displacement—the feeling of being a ghost in two worlds.

Her large-scale oil paintings are visceral explorations of the self, channeling the unflinching flesh of Lucian Freud, the provocative psychological charge of Lisa Yuskavage, and the raw nervous energy of Egon Schiele. Yet, her voice is distinctly her own—a synthesis of classical technique and contemporary anxiety.

Abelarde does not paint to please; she paints to excavate. Her figures are often distorted, caught in moments of transformation or decay, reflecting the internal battles that define the human condition.

"I exist to give the void a body. To arrest the fleeting, violent beauty of the self before it dissolves."
— Clarisse Abelarde

Artistic Lineage

Lucian Freud

The brutal honesty of flesh. Freud taught that the body is a landscape of truth—every fold, every sag, every imperfection is a confession.

Lisa Yuskavage

The unapologetic feminine. Yuskavage’s psychologically charged figures gave permission to explore the uncomfortable territories of female identity without apology.

Egon Schiele

The nervous line. Schiele’s contorted figures and raw emotional exposure remain a touchstone—proof that beauty can emerge from discomfort.

Curriculum Vitae

CLARISSE ABELARDE — 2025

Education

  • BFA, Fine Arts in Drawing and PaintingCalifornia State University, Long Beach
    Aug 2020–Dec 2022
  • AA Transfer ×4 (Arts General, Studio Arts, Art History, Liberal Arts)Los Angeles City College
    Jan 2017–Jul 2020
  • Sociology (Some College)University of California, Riverside
    Sep 2014–Jun 2016

Solo Exhibitions

  • 2024
    A Fort Held Together by Spit and PrayersArts at Blue Roof, Los Angeles, CA
  • 2024
    Virtual VisionsLAUNCH LA, Los Angeles, CA
  • 2024
    Digital DissonanceEuropa Gallery, Seattle, WA
  • 2023
    Quinn Emanuel Artist-in-ResidenceQuinn Emanuel, Los Angeles, CA
  • 2022
    RadiateMax L. Gatov West Gallery, Long Beach, CA
  • 2022
    Under-RepresentedLA Art Box, Los Angeles, CA

Group Exhibitions

  • 2025
    Gathered at the WellSabatikkal, Santa Monica, CA
  • 2025
    What's my ThesisOCC Doyle, Orange, CA
  • 2025
    No Parking Any TimeRod Briggs Gallery, Long Beach, CA
  • 2024
    Studio SystemTorrance Art Museum, Torrance, CA
  • 2023
    GesturesLa Mecha Contemporary, El Paso, TX
  • 2023
    Flat FileSYNT Art Auction, New York, NY
  • 2023
    (ART)FCTSRtfcts Studios, Los Angeles, CA
  • 2023
    Human: A Creative ExpositionEndwhile Global, Los Angeles, CA
  • 2023
    DemasiadoSuperchief LA & Tlaloc, Los Angeles, CA
  • 2023
    Under The Same SunGatov East Gallery, Long Beach, CA
  • 2023
    Sexiest Artists Group ShowWerby Gallery, Long Beach, CA
  • 2022
    One Story's Not EnoughFace a Gallery, Los Angeles, CA
  • 2022
    FragmentsWerby Gallery, Long Beach, CA
  • 2022
    Tambayan Vol 2Residency Art Gallery, Inglewood, CA
  • 2022
    CyclesStay Gallery, Downey, CA
  • 2022
    Individuelleiamjuliakim Projects, Los Angeles, CA
  • 2022
    A Nude DayMax L. Gatov West, Long Beach, CA
  • 2022
    DejectedMax L. Gatov East, Long Beach, CA
  • 2022
    Unheard VoicesNous-Ance, Fullerton, CA
  • 2022
    TambayanLACC VAMA, Los Angeles, CA
  • 2022
    FluxMax L. Gatov Gallery West, Long Beach, CA
  • 2021
    Identity in the Digital AgeNous-Ance, Los Angeles, CA
  • 2021
    NextGen LADurden and Ray, Los Angeles, CA
  • 2019
    A Moment's TimeLACC Student Union Building, Los Angeles, CA
  • 2019
    Abstract Lover Art ExhibitionLos Angeles, CA
  • 2019
    Women's MonthLACC Student Union Building, Los Angeles, CA

Curating (Nous-Ance)

  • 2024Tide Pools
  • 2023Metamorphosis
  • 2022Unheard Voices
  • 2021Identity in the Digital Age

Honors & Awards

  • 2024
    Studio SystemTorrance Art Museum
  • 2024
    Artist-in-ResidenceCentrum
  • 2024
    Artist-in-ResidenceArts at Blue Roof
  • 2024
    Artist-in-ResidenceArts Letters & Numbers
  • 2022
    Artist-in-ResidenceQuinn Emanuel
  • 2021
    President's Honor ListCal State Long Beach
  • 2020
    Dean's Honor ListLos Angeles City College
  • 2014
    Honors StudentUCLA Community School
  • 2012
    Participation AwardLos Angeles Congressional Art Competition

Publications

  • 2024
    Art by ArtistsInterview
  • 2023
    Art and Cake LAFeature
  • 2022
    HyperallergicA View from the Easel, 205th installment
  • 2022
    Quinn EmanuelArtist in Residence
  • 2021
    CSULB School of ArtPrimary Magazine, Volume 1
  • 2021
    City of LA Dept of Cultural AffairsLGBT Heritage Month Calendar and Cultural Guide

Organizations

  • 2022
    CSULB Drawing and Painting ClubSunday Model Sessions
  • 2021
    Nous-AnceFounder
  • 2021
    Los Feliz Life Drawing WorkshopMember
  • 2017
    The Los Angeles Figure Drawing GroupMember

Contact

Studio: 1529 ½ West 12th, Los Angeles, CA

Inside the Studio

Where chaos becomes composition

The studio is both sanctuary and battlefield. Large canvases lean against walls, some abandoned mid-stroke, others waiting for their first mark. The smell of linseed oil and turpentine permeates everything. Here, in the controlled chaos, the work emerges—not planned, but excavated.

The Process

From impulse to artifact

01

Excavation

Each piece begins with an emotional excavation—a feeling, a memory, a fragment of identity that demands expression. I don’t sketch; I confront the canvas directly.

02

Layering

Oil paint is applied in aggressive layers, building texture and depth. The figure emerges through addition and subtraction, revealing itself through the process of destruction and reconstruction.

03

Resolution

The work is complete when it holds tension—when it refuses to be comfortable. The final piece should feel like a mirror that shows you something you didn’t want to see.

The Journey

Milestones along the way

2024

Emergence: Solo Exhibition

First major solo exhibition featuring 20 new works exploring displacement and identity

Los Angeles, CA

2024

Featured in Artforum

"A voice that refuses to be silenced" - critical recognition of figurative work

2023

Collected by Private Foundation

Three major works acquired for permanent collection

New York, NY

2023

Group Show: Bodies in Transit

International group exhibition exploring migration and embodiment

Berlin, Germany

2022

Emerging Artist Grant

Recipient of the California Arts Council emerging artist fellowship

2022

Studio Established

Permanent studio space established in Los Angeles arts district

Los Angeles, CA

2021

MFA Thesis Exhibition

"Ghost in Two Worlds" - thesis work on Filipino-American identity

2020

First Collector Acquisition

Inaugural sale to private collector - the beginning of the journey

The journey continues

Press & Features

In the media

Art by Artists

Interview

2024
Art and Cake LA

Feature

2023
Hyperallergic

A View from the Easel, 205th installment

2022
Quinn Emanuel

Artist in Residence

2022
CSULB School of Art

Primary Magazine, Volume 1

2021
City of LA Dept of Cultural Affairs

LGBT Heritage Month Calendar

2021
From the Community

What Collectors Say

The work finds its way to those who need it most.

"Her work doesn't let you look away. It demands you see yourself in it, even the parts you'd rather not acknowledge."

Dr. M. Chen
Private Collector · San Francisco

"The first time I saw 'Vessels of Becoming,' I stood there for twenty minutes. I couldn't leave. Now it lives in my home."

J. Reyes
Founding Collector · Los Angeles

"Clarisse captures something about the immigrant experience that I've never seen articulated in paint before. It's visceral."

A. Mendoza
Art Advisor · New York

"Watching her career unfold has been extraordinary. We acquired early and haven't regretted it for a moment."

The Hartley Collection
Private Foundation · Chicago

In the Press

"A voice that refuses to be silenced—Abelarde's figurative work confronts identity with unflinching honesty."

— LA Weekly, 2024

"Among the most compelling emerging voices in contemporary figurative painting."

— Voyage LA, 2023

"Her canvases pulse with the tension of existing between worlds."

— Canvas Rebel, 2023
40+
Works in Private Collections
12
Countries Represented
200+
Collectors Following
Recently acquired by collectors in Los Angeles, New York, Berlin, and Tokyo

Connect

For studio visits, commissions, or acquisition inquiries

Stay Connected

Be the first to know about new works, exhibitions, and studio events

Unsubscribe anytime. No spam, ever.